Music in Valmiki Ramayana
| dc.category | Journal Article | |
| dc.contributor.author | Janaka Maya Devi, V | |
| dc.date.accessioned | 2017-04-08T17:33:58Z | |
| dc.date.available | 2017-04-08T17:33:58Z | |
| dc.date.issued | 2011 | |
| dc.department | Music | en_US |
| dc.description.abstract | The epic period o f Indian history is dated several centuries before Christ. The development o f scale is an important milestone in this period. Ramayana is considered as the biggest composition (Song) which comprises of 24000 verses. Valmiki taught these compositions to Lava and Kusa and these were performed widely by them. There are lots o f Musical techniques in these compositions which covers the basics o f Indian Music. Hence the study o f the music composition in this period is an important aspect. This article takes up the analysis o f music during the Ramayana period and the content constitutes evidence fo r Svaras Taas - rhythm, laya Words - sdhitya, language Compositional type - song, musical form And other inevitable supportive parts for singing, such as Musical instruments Gay aka guGas and Gana kala Precisely, this study throws light on the evolution o f music in the Ramayana period | en_US |
| dc.identifier.uri | https://ir.avinuty.ac.in/handle/avu/2937 | |
| dc.lang | English | en_US |
| dc.publisher.name | INTERNATIONAL MULTIDISCIPLINARY QUARTERLY BILINGUAL REFEREED RESEARCH JOURNAL OF ARTS, HUMANITIES, MANAGEMENT LAW | en_US |
| dc.publisher.type | International | en_US |
| dc.title | Music in Valmiki Ramayana | en_US |
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