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  1. Home
  2. Browse by Author

Browsing by Author "Janaka Maya Devi, V"

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    An Analytical Study on the Kritis of Kutti Kunju Thankachi
    (2020-12) Rimitha, R; Janaka Maya Devi, V
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    Balan Tharum padalgalum Kolangalum
    (2013) Janaka Maya Devi, V
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    Bhaavaamruta Composition of Purandara Daasa
    (2015) Janaka Maya Devi, V
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    Chords for the Arohana and Avarohana of the Ragas of Indu and Rishi Chakra
    (2022-05) Sreemeera, M; Janaka Maya Devi, V
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    Compositions in Mahabharatha
    (2012) Janaka Maya Devi, V
    Mahabharatha [1000 B.C and 700 B.C):Mababharatha is a g re a t Epic o f India. I t is the milestone in the history o f India th a t a demarcating line had been drawn between Vaidika -sacred musical form (Compositional types) and laukika-secular musical fo rm in this period. This research work posturized the various important evidences regarding Compositional types in Mahabharatha, which w ill be useful to the music students, teachers, research scholars, music lovers, historic analyzers and so on.
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    Dr. M. Balamuralikrishna – A Composer
    (2014) Janaka Maya Devi, V
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    Dr. M. Balamuralikrishna – A Composer
    (2014) Janaka Maya Devi, V
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    Healing Power of Music Therapy
    (2017) Janaka Maya Devi, V
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    History of Cheras in Patirruppattu
    (2010) Janaka Maya Devi, V
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    History of South Indian Musical forms
    (2012) Janaka Maya Devi, V
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    Implementations of Gandhian Thoughts for the Upliftment of Rural People Through Musical Songs
    (2014) Janaka Maya Devi, V
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    Isaiyil Nadanathil Rasam
    (2011) Janaka Maya Devi, V
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    Music in Bharata’s Natya Sastra
    (2013) Janaka Maya Devi, V
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    Music in Puranas
    (2013) Janaka Maya Devi, V
    Puranas are the treasure of our Indian history, which picturise the life style of ancient people. Puranas are the guide, not only for the ancient people, but for the present and future man kind to lead a pieceful life. They are the richest collection of mythological informations, folklores, stories, literature, knowledge regarding sacred rituals in the form of hymns. Puranas were categorised as major and minor. It was written by Veda Vyasa after the great epic Mahabharata. This research reveals the musical information from Bhagavata, Agni Purana, Harivamsa, Markandeya, Vayu, Skantha, Brhaddharma and Visnudharmottara. ,Since Puranas are the sources which throw light on the cultural history of the ancient people, the analyses from few of the main 18 Puranas will help us to know about the musical information of the ancient period such as: Svaras, the vtuious types of musical forms (songs), different types of Talas, meters and so on.
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    Music in Puranas
    (2013) Janaka Maya Devi, V
    Puranas are the treasure of our Indian history, which pictnrise the life style of ancient people. Puranas are the guide, not only for the ancient people, but for the present and future man kind to lead a pieceful life. They are the richest collection of mythological informations, folklores, stories, literature, knowledge regarding sacred rituals in the form of hymns. Puranas were categorised as major and minor. It was written by Veda Vyasa after the great epic Mahabharata. This research reveals the musical information from Bhagavata, Agni Purana, Harivamsa, Markandeya, Vayu, Skantha, Brhaddharma and Visnudharmottara. Since Puranas are the sources which tluow light on the cultural history of the ancient people, the analyses from few of the main 18 Puranas will help us to know about the musical information of the ancient period such as: Svaras, the various types of musical forms (songs), different types of Talas, meters and so on.
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    Music in Valmiki Ramayana
    (2011) Janaka Maya Devi, V
    The epic period o f Indian history is dated several centuries before Christ. The development o f scale is an important milestone in this period. Ramayana is considered as the biggest composition (Song) which comprises of 24000 verses. Valmiki taught these compositions to Lava and Kusa and these were performed widely by them. There are lots o f Musical techniques in these compositions which covers the basics o f Indian Music. Hence the study o f the music composition in this period is an important aspect. This article takes up the analysis o f music during the Ramayana period and the content constitutes evidence fo r Svaras Taas - rhythm, laya Words - sdhitya, language Compositional type - song, musical form And other inevitable supportive parts for singing, such as Musical instruments Gay aka guGas and Gana kala Precisely, this study throws light on the evolution o f music in the Ramayana period
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    Papanasam Sivan Padalgalil Mohana Raga Urupadigalin Isai Amaidhi
    (2019-07) Christyvironika, R; Janaka Maya Devi, V
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    Purandra Dasa on Music
    (2014) Janaka Maya Devi, V
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    Rhetorical Beauties in the Ragas Invented by Dr.M.Balamuralikrishna
    (2022-05) Heymaa, K; Janaka Maya Devi, V
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    The Role of Music in Bharatha Natyam
    (2011) Janaka Maya Devi, V
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