Browsing by Author "Guide - Dr. S. Christina Rebecca"

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    Anthropogenic Disparity in Mobility: Activism and Resistance in Select Climate Fiction
    (Avinashilingam, 2025-05) Janane V; Guide - Dr. S. Christina Rebecca
    The thesis investigates the diverse forms of injustices in the experiences of climate refugees: human and more than human in select climate fiction. The select climate fictions actively engage with the anthropogenic crisis by analysing the complexities of climate disasters from the political, social, ecological and ethical dimensions. Drawing upon a range of primary sources and theoretical texts that are grounded on the perspectives of climate justice, the research seeks to address the inequities, challenges and the need to establish multispecies inclusive climate justice for climate refugees. The research also examines the various forms of activism and resistance put forth by the human and more than human characters to adopt, cope and seek justice for the climate refugees. The “Introduction” chapter explores the trajectory of climate fiction and its plots by putting forth the concepts of climate criticism adopted. It also explores the purpose of research, objectives, review of literature, research strategy, and the structure of the thesis.The second chapter titled “Climate Justice in the Anthropocene: A Theoretical Framework” elucidates the theoretical framework chosen for the research to substantiate the research objectives on climate justice for climate refugees. The third chapter titled “Environmental Justice Activism: Disparity in Displacement amidst Disproportionate Impact of Climate Change in Amitav Ghosh’s Gun Island” examines the kinds of resistance expressed by the characters of the Global South to address inequities due to geographical, economic and political disparities. The fourth chapter titled “Community Based Activism for Conservation and Sustenance in Barbara Kingsolver’s Flight Behaviour” explicates the role of community engagement in promoting conservation and ensuring rehabilitation of the monarch butterflies as victims of climate change altered migration trajectory. The fifth chapter titled “Countering Eco Fascism: Subversion and i Survival in John Lanchester’s The Wall” analyses the politics of the totalitarian regime and its imposition of eco fascist policies which is subverted through the characters’ resistance.The sixth chapter titled “Resisting Technocapitalism: Security and Rights of Migrants in Paolo Bacigalupi’s The Water Knife” scrutinises the acts of resistance exhibited by climate migrants through border defying mechanisms in a society altered by techno capitalism to counter the impact of climate induced resource conflict. The final chapter titled “Conclusion” culminates with an extension of the findings of the research, the theoretical observations of the thesis and the scope for further study. The chapter provides a brief account of the justification of the research objectives formulated and the research findings that are documented.
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    Mapping Gender and Violence: Assault, Abuse and Trauma in Select Plays of Indian Women Writers
    (Avinashilingam, 2025-05) Isai Arasi T; Guide - Dr. S. Christina Rebecca
    Mapping Gender and Violence: Assault, Abuse and Trauma in Select Plays of Indian Women Writers : Violence against women constitutes a significant concern in contemporary India.This issue is rooted in patriarchal beliefs that perpetuate power and gender inequalities.The present research examines various forms of violence as depicted in selected plays by Indian women writers, organized into seven chapters, including an introduction and a conclusion. The introduction delineates the evolution of theatrical works and the emergence of Indian women playwrights, emphasizing their contributions to both society and literature. It also addresses contemporary themes and the impact of select playwrights on the theatrical landscape. Chapter II, titled “Gender and Trauma: Theoretical Framework,” analyses how power dynamics related to gender lead to the subjugation and exploitation of women. This chapter explores how the research utilises the concepts of objectification and trauma theory to examine the exploitation of women’s bodies and its impact on their psyche. It employs objectification to illustrate the perception of women as objects valued primarily for their physical appearance, rather than their intrinsic worth. Additionally, trauma theory is integrated to explore the psychological effects experienced by victims, emphasizing trauma as a significant event that disrupts normal coping mechanisms. Chapter III concentrates on child sexual abuse, specifically analysing Dina Mehta’s play Getting Away With Murder, which highlights the power imbalances that facilitate such abuse, particularly against young girls. This chapter further underscores how societal gender disparities contribute to the prevalence of sexual abuse and discusses the coping mechanisms that victims employ to address their trauma, which often extends into later stages of development. Chapter IV investigates the interplay between power dynamics, gender bias, and domestic violence, utilising Poile Sengupta’s play Mangalam to illustrate the objectification and mistreatment of women by family members. The chapter assesses the psychological effects of domestic violence on women and examines their coping strategies to endure the traumatic experiences inherent in their situations. Chapter V addresses the critical issue of gang rape within the context of Manjula Padmanabhan’s play Lights Out, emphasizing the objectification and violation of women’s bodies by perpetrators. It highlights the pervasive fear instilled in women by such acts and their profound impact on victims’ lives, while also considering the perspective of a witness reflecting on the victim’s suffering. Chapter VI explores the grim realities of women in cyberspace, as portrayed in Anupama Chandrasekhar’s play Free Outgoing. It underscores the severe repercussions of revenge pornography on victims and their families, jeopardizing their future. Moreover, this chapter critically examines societal tendencies to perpetuate gender bias. The conclusion posits that societal transformation is essential to eradicate violence against women, achievable through education that reveals the socially constructed nature of gender norms and emphasizes the importance of male respect for women and their emotions. Furthermore, robust familial and social support systems are crucial for victims, equipping them with the emotional resources necessary to cope with trauma and reclaim their voices.